The Quiet Poetry of Analogue Photography – Interview with Marcia Filz

Argentinian photographer Marcia Filz brings two decades of experience to a body of work shaped by intuition, introspection, and a deep affection for analogue photography. Based in La Plata, she blends technical mastery with a poetic sensitivity that draws from literature, music, cinema, and the emotional threads of daily life. Her long-standing relationship with the Canon AE-1 and her commitment to self-portraiture reveal a creative practice that is both intimate and exploratory. In this conversation, she reflects on memory, identity, community, and the quiet magic that keeps film photography alive.

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Hi Marcia! First of all, thank you so much for this opportunity. We’ve been following your work for quite a while, and it’s such a pleasure to finally chat with you and get to know the person behind the camera a little better. Could you start by introducing yourself to our readers?
First of all, thank you so much for the invitation. I feel truly honored to be able to share my work in Grain Magazine.

My name is Marcia Filz, although many people know me as Eme. I’m a professional photographer, a photography teacher, and I have a particular weakness for analogue photography, especially 35mm.

I live in La Plata, a beautiful city in Argentina, and I’ve been taking photos for about twenty years. Even though I still don’t really know why I do what I do, I do know that my work is deeply influenced by my reading habits, music, films, my friends, and everything that moves me or unsettles me.

Your connection with photography goes back quite a long way. When did this passion first begin? Do you remember how it all started for you?
When I was very young, I spent many summer afternoons playing with my cousins at their house. My aunt and uncle had a photography studio, and the darkroom was right in the middle of the patio where we ran and climbed around. Every now and then, we’d see my uncle step out of that red room, wearing gloves and holding a freshly developed photo, bringing it into daylight to look at it more closely.

That whole mystery always fascinated me. I think that’s where—without me realizing it—my romance with photography began.